Arnaud Marzorati studied singing at the Master's degree at the Baroque Music Center of Versailles and subsequently obtained a First Prize for singing at the Paris Conservatory – CNSMDP in the class of Mireille Alcantara. His repertoire ranges from baroque music to contemporary music. Passionate about the history of French song, he is supported by the Royaumont Foundation in his musicological research and is regularly invited by major venues. Several solo recordings, released by Alpha, testify to the originality of his approach around historical song and have been praised by critics: The Muslim Pope by Pierre-Jean de Béranger, La Bouche et l'oreille, on songs by Gustave Nadaud. With Les Lunaisiens, he recorded “1789” (Alpha) and Révolutions (Paraty) on revolutionary songs from the 17th and 19th centuries, then “Vote for me!” » in 2017 at the Aparté label. It initiates new crossover encounters between popular song and classical music in partnership with the Palazzetto Bru Zane in Venice, the Baroque Music Center of Versailles (CMBV), France Musique, the national scene of Dunkirk. For the tercentenary of the Opéra-Comique, in 2015 he created La Guerre des théâtres and gave the premiere of Atys en madness at the Teatro Manoel in Valletta (Malta) in partnership with the CMBV. In 2019, he entered a residency with Les Lunaisiens at the Festival des Abbayes en Lorraine and became an “associated artist” at La Barcarolle in Saint-Omer. He released discs devoted to the musical universes of Brassens, Boris Vian, the Napoleonic epic with Sabine Devieilhe, as well as Molière and La Fontaine set to music through two book-discs published by La Joie de Lire. In 2023 Merd' v'la l'Hiver appears, with Stéphanie d'Oustrac at Alpha-Outhere